Conversations

Conversations with artists and cultural practitioners on the ideas, structures and spaces that shape contemporary practice. Co-hosted for SUPERVOX in collaboration with other circle, these discussions bring curious questions and thoughtful dialogue to the people and processes behind the work.

Live from Enter Art Fair 2026 in collaboration with Other Circle.

"I am very interested in understanding the self and how we build our truths... For me as a curator, I feel responsibility in making art happen." — Fatoş Üstek

Fatoş Üstek is an independent curator, writer and cultural leader who has directed the Liverpool Biennial and Roberts Institute of Art.

Before entering the art world she studied abstract mathematics. Her projects include fig 2 at ICA London, where she produced 50 exhibitions in 50 consecutive weeks, and several editions of Frieze Sculpture.

We talk about mathematics, fair pay, institutional change and the reality of making ambitious art projects happen. And why Fatoş sees that responsibility as central to being a curator.

Live from Other Circle 2026.

Lea Colombo is a South African artist, designer, photographer, writer and director whose work explores color, light, and spiritual energy across image-making, sculpture, and spatial design. Spontaneous and boundary-pushing, her practice spans global fashion campaigns and fine art installations.

We talk about being self-taught, moving from photography into stone and sculpture, the ancient energy of stone and writing as a form of channeling. And what happens when you stop overthinking and allow intuition to lead the way.

For our ongoing podcast series, a Supervox + other circle collaboration, we talk to creatives about their practice.

Live from Enter Art Fair 2026 in collaboration with Other Circle.

"All of us have an inherent poetic potential." — Gry Worre Hallberg

Gry Worre Hallberg is a performance artist, artistic researcher and founder and artistic director of Sisters Hope, established with Anna Lawaetz in 2007.

For almost two decades, Sisters Hope has explored what a more sensuous and poetic society might look like through immersive performances and artistic experiments.

We talk about the Sensuous Society, poetic selves, Sisters Hope Home, silence, ritual and what healthcare, education and everyday life could look like if we lived differently. And whether art can be a rehearsal for another way of living.

Live from Enter Art Fair 2026 in collaboration with Other Circle.

"We would always place an artist in the mix, because if you choose the right artist, they will ask questions that the others can't answer." — Simon Friese

Simon Friese is a cultural entrepreneur and founder of Creator Projects, a Copenhagen based art agency bringing contemporary art into public and everyday spaces. He also helped establish CHART Art Fair in 2013.

We talk about public space, ambitious commissions and what happens when art and architecture meet. Simon talks about risk, collaboration and working with artists including Pipilotti Rist and Daniel Buren.

Live from Enter Art Fair 2026 in collaboration with Other Circle.

"I’m still the same person, looking not for answers but for questions to develop my thinking." — Stine Deja

Stine Deja is a Danish artist working across sculpture, installation, video, sound and 3D animation, exploring where technology, the human body and nature collide.

We talk about growing up creatively in the Danish countryside, moving from interaction design into art and why she keeps working across different mediums.

There is artificial intimacy, digital bodies, cryonics and immortality, but also curiosity, collaboration and humour. Including frozen bodies and giant tardigrades, or water bears.

Live from Enter Art Fair 2026 in collaboration with Other Circle.

"I think it’s okay to be a little bit funny. And I take being funny very seriously." — Martha Hviid

Martha Hviid is a Danish artist working across sculpture, installation, drawing, sound, text and scent.

Her work explores how we experience things through our bodies and senses, and how familiar materials can suddenly become playful, strange or unsettling.

We talk about choosing art over architecture, humour, public space and why an artwork might make you want to touch it, or even lick it. There is also tactility, language, AI and the question of what sculpture can actually do.